Your use of the translations is subject to all use restrictions contained in your Electronic Products License Agreement and by using the translation functionality you agree to forgo any and all claims against ProQuest or its licensors for your use of the translation functionality and any output derived there from. It took a lot of suspense out of the night, Spike Lee said later in the evening when it was time to officially name Julia Ducournau’s Titane the winner. PROQUEST AND ITS LICENSORS SPECIFICALLY DISCLAIM ANY AND ALL EXPRESS OR IMPLIED WARRANTIES, INCLUDING WITHOUT LIMITATION, ANY WARRANTIES FOR AVAILABILITY, ACCURACY, TIMELINESS, COMPLETENESS, NON-INFRINGMENT, MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. The translations are automatically generated "AS IS" and "AS AVAILABLE" and are not retained in our systems. Neither ProQuest nor its licensors make any representations or warranties with respect to the translations. This functionality is provided solely for your convenience and is in no way intended to replace human translation. You have requested "on-the-fly" machine translation of selected content from our databases. on HBO, featuring interviews, schedule information, behind the scenes exclusives, and more. Lee's documentaries generally fall into two categories: the historical (4 Little Girls, Jim Brown: All American, When the Levees Broke. The official website for A look at Spike Lees multi-part documentary chronicling life in New York over the twenty years since the September 11 attacks. She also explores how the overt political content of his documentaries stands in dialectical tension with his "sellebrity auteur" persona: "The 'Spike Lee' label has become a trademark that not only connotes the director's commitment to relating stories from the perspective of African Americans, but it also signifies the marketing strategies endorsed by the filmmaker to pursue a career in the mainstream" (8). In her latest book, Delphine Letort sees the titular "Spike Lee Brand" as clear in all of his films-fiction and nonfiction-but here focuses on the documentaries, since they act as "living histories," just as thought provoking as his fiction films. Lee faced criticism for including the interviews after HBO allowed reporters an early viewing of the series. Yet, despite the fact that he has directed more feature-length documentaries than fiction films in the last decade, the vast majority of the work on Lee remains about the latter, particularly his earliest ones. Albany: SUNY Press, 2015.įew contemporary American filmmakers have inspired as much scholarship as Spike Lee. The Spike Lee Brand: A Study of Documentary Filmmaking.
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